Magic Choral Trick #254 Toes and Rose

When that curtain opens our first job is to let the audience know that we’re ready. Ready to entertain, ready to sing and ready to have fun right along with them.

If every one of us has the weight on the balls of our feet, with knees very slightly bent, we’re halfway there. By this I don’t mean that we should be up on our toes. Our heels should still be on the floor, but our weight needs to be forward.

( https://betterchoirs.wordpress.com/2013/05/16/magic-choral-trick-252-collection/  )

Of course, standing tall and proud with the chest floated upwards also helps. But the crowning touch is the face that goes along with the raised palate. One way the palate can be raised is to imagine that you are deeply breathing in the faint fragrance of a rose.

( https://betterchoirs.wordpress.com/2013/05/08/magic-choral-trick-250-soft-palate-stuff/ )

The face suddenly looks interested in a slightly excited way – as if you can hardly wait to start. (Very useful as an acting technique for people who are nervous.)

The signal I’ve been using for this recently at rehearsals is to point, as subtly as possible, to my toes, then my nose. This is to remind the chorus about Toes and Rose.

The audience ‘reads’ readiness in stance and facial expression. Their perception is then confirmed during the first note, because the vocal apparatus is positioned correctly.

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About janetkidd

I've been waving my arms in front of choirs now for more than 35 years - and these are descriptions of all the very best things I've learned. I direct a Women's Competitive Barbershop Chorus, a Men's Competitive Barbershop Chorus, a Med School choir, and for a few weeks each year - Big Choir (about 100 voices) - which performs at an annual fundraising concert. Hope at least some of these Choral Magic Tricks will be useful to you - and thanks for reading. Janet

Posted on May 22, 2013, in Uncategorized and tagged . Bookmark the permalink. Leave a comment.

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