Magic Choral Trick #287 The Claw

Been using this one a lot recently with exciting results.

On any sustained, formed vowel – like an ah, oh, ay, or an ee, I have the singers make a claw with one hand, and hold it directly in front of the mouth. The hand shape is the same one you’d use if you were pretending to be a scary lion – except that the curved fingers are facing towards your mouth.

If you’ve never pretended to be a lion, but know a little about baseball, it’s also pretty close to the hand position for throwing a knuckle ball (again with fingers towards the mouth).

This works very well on the ends of phrases to help the chorus really lock in a big, bright chord – especially if in addition to the claw, the singers also think slightly nasty/mean thoughts.

As with many other physical techniques that can’t be used on the performance stage, once the singers have learned how they feel, and once the effect has been incorporated into body memory, we can get the same results when I use a more subtle version in front of them as they sing.

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About janetkidd

I've been waving my arms in front of choirs now for more than 35 years - and these are descriptions of all the very best things I've learned. I direct a Women's Competitive Barbershop Chorus, a Men's Competitive Barbershop Chorus, a Med School choir, and for a few weeks each year - Big Choir (about 100 voices) - which performs at an annual fundraising concert. Hope at least some of these Choral Magic Tricks will be useful to you - and thanks for reading. Janet

Posted on November 7, 2013, in Uncategorized and tagged , , , . Bookmark the permalink. Leave a comment.

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